Showing posts with label reading. Show all posts
    Showing posts with label reading. Show all posts

    Wednesday, March 7, 2012

    Earplugs and a Donkey Named Clippity

    or What Readers Really Want Writers to Talk About on Their Blogs


    I just love this social media thang. 

    Last week, the talented sports pro (dressage) and writer, Debby Lush, contacted me via email to ask about a comment I made on writer KD Rush's blog. My comment was basically that I'm surprised so many writers keep blogs that seem to be intended for other writers, and not for current or potential readers.

    This is what I mean: Most of the blogs I see writers promoting via Twitter are filled with posts about the craft of writing, or the publishing industry, or other general ruminations on writing. There's nothing wrong with this. Unless, of course, writers hope to build a readership through keeping a blog. Then, they have a problem.

    Because here's the thing: The majority of readers are not aspiring writers. Readers are no more interested in the top ten rules for building suspense than football fans are interested in the top ten practice drills for improving a player's footwork. If you write stories that keep us up until 3 AM because we could not go to sleep without reading what happens next, then we're as happy as a Patriots fan after Brady throws a touchdown pass. But posts about how to keep us turning the page? Bo-ring.

    Readers are interested in the product, or in the specific experiences, thoughts, or beliefs that led to its creation.

    As a reader, I will read a writer's blog to gain insights into what makes her writing speak to me. Think of a different type of artist to whom you are drawn--a particular painter, or an elite athlete, or a culinary artisan. What would you want to know about him? You would want to know what makes his work or performance so beautiful, because in learning about what goes into his work, you will learn about yourself because his work speaks to you. You probably wouldn't want him to repackage the same sort of information you can get anywhere about his craft in general--cooking rules, how to paint with oil, how to train for the Olympics. I know I wouldn't.

    So, blogging writers, listen up! This is what we readers hope to find when browsing your blog or website. 

    Your writing. 
     This is particularly important if we haven't yet read your writing—Readers want a link right in the top navigation bar that will bring us to a short sample of what you believe to be your very best work. We'll start there, and if your words speak to us, we'll dig around the rest of the site.

    Your bio. 
     When we click on the “about” link, we're going to be ecstatic to find information about the books that you read and loved in childhood, young adulthood, and now. We will relish little stories about the first time you mustered up the courage to write for someone else, or how you started out by writing love letters to boys in elementary school. In other words, we want to know you as a writer. (Not your ideas about writing, but you.) We want an idea of how certain experiences shaped you into the writer that you are today.

    Your favorites. 
     We readers often decide to check out a new author's books after learning that we share a common love for a particular book, movie, or quote. We love it when authors divulge details about the specific titles or lines that they cherish. If the same piece speaks to both of us, then we're willing to guess that your writing will speak to us. You can list these in your About page, or better yet, write separate blog posts--about your favorite lines you've collected and saved from books over the years, your favorite books, your favorite authors, etc. When you write about them, share where you were when you read it, what it made you think about, how it changed you. These are the details that might win over a new reader.

    Your stories. 
     This is a really big one, and you could get countless blog posts out of it. Tell us about your stories! I wish blogging writers would write more posts about the worlds and characters they've created. Write a post about where you were when the first tiny little seed of an idea for a character or setting or scene crept into your mind. Tell me what you remember from that moment, the way the air smelled, what you were eating, whom you were with, how your skin pricked because you knew you had just met a new character whose story you had to tell.

    Your mind.  
    We'd love to read about what it's like living with these people and places in your head. I imagine every writer has a different experience, and we want to know about yours. Do you see the characters as real people who have, for whatever reason, taken up space in your mind and asked you to tell their story? If so, tell us about this—do you talk to your characters? What is the last conversation you had? Have you ever experienced something in your normal life and unexpectedly seen it through a character's eyes? If so, tell us! What were you doing, how did your character's perspective change what you took away from that moment? We want details! We relish in the details about your characters and your stories and how they come to you in the same way a teenage girl relishes in the details about her current crush's favorite band, color, t-shirt, etc.

    Your Zone.  
    Where do you write? What does it look like? What totems or pictures or quotes do you keep in your writing zone? Where did they come from, and how do they help you. We want the deets!

    Your reading habits. 
    We want to know what you're reading, and what you think about it. Post reviews of the books you read on your blog, or share a list of the latest titles you've bought and why you bought them. And, if you have a Goodreads or Shelfari account, make sure you populate your bookshelves with titles. Readers who are serious enough to be on Goodreads are not going to be interested in reading your work if we see that you don't really read much, yourself. We know that means your writing could probably use a lot of improvement. So, if you aren't interested in filling those shelves, don't join Goodreads, it will turn-off potential readers if we think that you aren't an active reader.

    In other words, let us into your world.  
    Your mind. readers want your website to tell us a story about you and what you've created. We want to feel like we know you. And you want us to feel like, if given the chance, we would jump at the opportunity to chat with you over a cup of tea. Because as a reader, that's what we do—we spend hours with you, reading your words, seeing a slice of the world through your eyes. A website is the perfect place to start that conversation, if only more authors would let us in!

    There are some great books about writers that do these very things. 
    How I Write, The Secret Lives of Authors, edited by Dan Crowe, is a beautiful collection of anecdotes and photos from published writers and the details that fill their worlds.  In it, author Nicholson Baker shares about his reliance on earplugs to get to work. Writer Lionel Shriver shares a picture of a strange little donkey figurine named Clippity, who sits on her desk to remind her to "eschew fancy-schmancy character names groaning from overloads of symbolism, and to sometimes prefer the obvious." Earplugs and a donkey named Clippity. These are the details we readers relish.

    Or, there's Anne Lamott's Bird by Bird. It's a guide to writing, so she wrote it to appeal to writers. But the thing about it is that I wanted to read her work after reading this book because she shared so many little insights into what she puts into her stories, that I finished the book absolutely certain that I would love her writing. 

    This is in stark contrast to a blog post that lists out rules for writers without divulging any information about the person who actually wrote the post. Or worse, a blog post about the publishing industry in general. Readers just aren't interested in any of that. If readers are reading writers' blogs, it's to find writers who leave a part of themselves on the page. Do that in your blog, and we'll have faith that you do that in your books. And then you've just won yourself a new reader.

    So, writers, there you have it. If you're blogging to develop a readership, consider sharing a bit of yourself in your posts. What are your earplugs? Who is your donkey named Clippity? 
    And, if you don't share these things on your blog, what's holding you back?
    And, fellow readers--What things do YOU wish writers would share on their blogs?

    Your readers are waiting. Won't you let us in?

    Tuesday, February 14, 2012

    Follow The Reader: January 2012 Reads

    A Recap and a Reflection

    Ooh, it was a good reading month for me. I read seven great novels, as well as two full manuscripts for my fun internship as a reader for a publisher.



    Look at all those stars! These were some seriously great books.
    Matched by Allie Condie ★★★★
    Miss Peregrine's Home for Peculiar Children by Ransom Riggs ★★★★
    Jumping Off Swings by Jo Knowles ★★★★
    City of Bones by Cassandra Clare ★★★★
    Mortimer's Book of Whatifs by Mandi Tillotson Williams ★★★★
    Slice of Cherry by Dia Reeves ★★★★
    Evermore by Alyson Noël ★★★★

    Some things I've been chewing on since reading these books:
    Because that's what a good book does, after all. It feeds the reader, and not just in the moment.

    I've thought about the pills the characters carry around in Ally Condie's dystopian YA novel Matched. The link between control and medication is so compelling, probably because we are already living a less organized (yet still altogether terrifying) version of this reality right now. 

    The lack of parental involvement in Jo Knowles's Jumping Off Swings has stuck with me like a popcorn kernel skin that just won't budge. When I taught high school I was often shocked at how much more I knew about my students' lives than their parents. A common complaint I've seen in reviews of YA books is that the parents are non-existent, but I think this is actually more realistic than we'd like to admit.

    I used to have this habit of grabbing on to a person's quirks and running away with them. I'd exaggerate the quirk in my mind, and create a new person there, with the extra quirkiness. The quirk became exceptional, a point of pride. Somewhere along the way I stopped doing this, but rediscovered the habit after reading about the delightful individuals of Miss Peregrine's Home for Peculiar Children. Thank you, Ransom Riggs.

    The possibility of evil. (It's not just a great short story.) Dia Reeves's Slice of Cherry has sort of turned the way I consider characters upside-down. See, one of my favorite things about story is that it often explains why people behave the way they do. Especially the people we have the hardest time understanding--the villains, the bullies, the foils. I love the way a really skilled writer can sometimes make me thing You know, he's not so bad after all by exposing that sensitive underbelly most people work so hard to hide. Not Dia Reeves! Slice of Cherry reminded me that sometimes, there is no redeeming quality or explanation for the bad things people do. It's unsettling, but in a good way.
    What about you? What did you read in January? What's stuck with you since?

    Saturday, February 11, 2012

    Book Review! Carrie Harris's BAD TASTE IN BOYS, 5 of 5 stars


    I felt kind of like a zombie while reading this book. But not a flesh-eating zombie, a book-devouring zombie. Because I couldn't. Stop. Reading. Nomnomnomnomnom.

    5 of 5 stars 
    First: Best. Cover. Ever.

    BAD TASTE IN BOYS is camp at its best. Brainy teen MC Kate Grable's over-the-top editorializing had me laughing out loud as she worked furiously to save her town from an impending zombie outbreak. I started collecting hilarious lines to share in this review, but quickly realized that there were too many to fit. You will just have to read this book yourself.

    Seriously, go read this book. Step away from the computer, and get your hands on BAD TASTE IN BOYS.

    I haven't had this much fun reading a book in a long time. In fact, I woke up this morning with Tim Curry singing "Anything Can Happen on Halloween" in my head. I can only pray that someone will turn this book into a movie worthy of a Tim Curry cameo. I would definitely participate in the cult following that is certain to follow. I can see the merchandise now--finger key chains and PVC swords lining mall store displays next to THE NIGHTMARE BEFORE CHRISTMAS shoulder bags and ROCKY HORROR PICTURE SHOW t-shirts.

    I picked this up on a whim at my library, because let's face it, the cover is amazing. I ended up sitting there for an entire hour because I couldn't stop reading. I'm going to buy a copy today so I can share it with my students.

    Fun, fun, fun. I cannot wait to read Carrie Harris's next book, BAD HAIR DAY. Bring on the weres! Or vamps, or whatever it is that hits next. I'm sure Kate Grable can take 'em.

    Link to my Goodreads Review

    Thursday, February 9, 2012

    Thursday Thirteen: Time Suckers


    Thirteen things you're 
    w a s t i n g 
    your time doing
    when you could be 
    R E A D I N G

    1. Clicking frantically through a series of uninteresting blogs
    2. Posting about how bored you are on Facebook
    3. Re-tweeting content that you didn't even check out, yourself
    4. Watching mindless reality TV shows
    5. Texting your friends about how bored you are
    6. Watching YouTube videos of kittens
    7. Going through this entire site because it's hilarious
    8. Culling through your friends' bookshelves on Goodreads
    9. Watching videos of this guy for the millionth time. This week.
    10. Pinning photos you'll never look at again to your Pinterest account
    11. Watching reruns of Seinfeld
    12. Laughing at people who clearly don't read enough
    13. Laughing at people who are genuinely hilarious, yet still huge time-sucking traps

    I'm proud to say that I never engage in #2.
    As for the others, I'm staying mum.  

    What about you? What little things do you allow to creep into your day and suck up all your reading or writing time? Have any good techniques for tearing yourself away?

    Tuesday, February 7, 2012

    Check It Out!

    I'm so excited to have a Teaching Tip featured on the IRA's Teacher to Teacher blog!

    The tip focuses on the Juicy Words Project that I use to help students acquire new word knowledge. It really is a lot of fun!

    IRA (the International Reading Association) is one of my favorite professional organizations.
    IRA's goals are to:
    • improve the quality of reading instruction
    • disseminate research and education about reading, and to 
    • encourage the lifetime reading habit. 
    Of course I love IRA!

    Thursday, February 2, 2012

    Thursday Thirteen: Signs You're Addicted

    Addicted to books, that is.

    That's right, I'm going there. It's time we do away with the shame, the fear, the guilt. It's time we face our addiction for what it is: a lifeline. A game changer. The foundation for everything good that we have ever experienced. My habitual (obsessive?) devotion to reading is one of the greatest things about my life. And I'm not ashamed to admit it. 

    But I know you might be.

    I see you, you closet readers. With your iPhones in your hands, thumbs flying, pretending to send text messages when you're really reading John Green's latest release. You think you're pretty sly, but as they say, you can't trick a trickster. Readers know a fellow reader when they see one. It's really easy if you know what to look for.

    13 Signs You're 
    A D D I C T E D
    to Books

    1. You can't walk past a bookstore without stepping inside. 

    If you're with non-reading friends, you'll feign a sudden and intense need for water. If the store lacks a cafe, you'll say that you're mom is making you send a book to your Great Aunt Ida for her birthday. Either way, you usually end up forgetting that you were with your friends in the first place, and they find you hunched over on the floor, 40 pages into a new release.

    2. You have used any of the following as a bookmark: 

    A receipt, a corner from the essay you wrote for that day's English class, an old envelope from a piece of mail, a dollar bill, a food wrapper, or a piece of loose change. Basically, anything to avoid dogearing a page. (Disclosure: I'm all about dogearing pages. But I know I'm in the minority on this one.)

    3. You have paid more in library fines than most people pay for a month of cable. 

    Because sometimes, two weeks just isn't enough, and you'd rather spend the money than risk losing the book.

    4. You've cancelled plans with friends to stay home and finish a book.

    What? Doesn't everybody?

    5. You could sell every one of the tables in your home, replace them all with stacks of books, and actually gain tabletop space.

    Again, I don't really understand why this is a big deal.

    6. You would break it off with someone if you learned, even after several great dates, that he doesn't own any books. 

    Of course you would. Is there even any viable alternative?

    7. When someone tells you they don't read, you automatically assume they're trying to be funny. 

    Because a) Why would anyone admit that? and b) Why would you be talking to this person in the first place if it were true?

    8. Your Goodreads To Read shelf has at least three times as many books as your Read shelf.

    And it just keeps on getting bigger by the day.

    9. You would rather eat Ramen noodles every day for a month than waste your money on real food, so you can reserve an advance copy of your favorite author's newest book before its release date.

    Far better to eat chemicals and preservatives than to have to wait to read the latest book. I mean, does no one have priorities anymore?

    10. You only buy gallon-sized purses so you won't ever be faced with the decision between carrying a book, or your wallet.

    We all know the book would win. Because it's much better to have something to read during your lunch break than something to eat.

    11. You have yelled at a loved one for interrupting you during a   
    really important part. 

    You're really in it deep if you refuse to apologize because they should have known better. 

    12.You have considered leaving your career to work in the local bookstore. More than once. 

    We know you've gone so far as to fill out the application.

    13. You have ended a friendship after learning that a person's favorite book is Twilight. 
     
    Not that there's anything wrong with Twilight. But if that's her favorite book, then, well, this just won't work out. Let's be honest now and make everything easier on ourselves.

    If you or someone you know has shown any of these signs of book addiction, there's help. As we speak, there are thousands of groups formed to help sufferers of book addiction. They go by many names, but are most often called Book Clubs. Please join your local Book Club today. You are not alone.


    Does this describe you? What are the other signs? What's the craziest thing you've done to get in some more reading time? 

    I'd love to hear them, so please share your experiences in the comments. Tell me I'm not the only addict.

    Tuesday, January 31, 2012

    Follow the Reader: Why I DIDN'T Buy These Books

    My recent Follow the Reader post details why I bought the last twenty books in my collection. I created this blog for my students, and much to my delight and surprise--it was shock, really--a number of them actually read said Follow the Reader post. (Thanks for reading, students! You know, everything I do, I do it for you . . . )

    Of course, that post inspired a lot of follow-up questions:

    Are there any books you DON'T buy? 
    Yes, thankyouverymuch.

    How many books do you actually own? 
    Next question, please. 
    First, I'm not what you would call a numbers person. And second, my husband reads this blog. Sure, he can see the books lying all around our house. But to actually match a number with the collection? That might lead to calculations about how much I've spent, and, well, let's just not go there.
     
    How can you afford to buy all those books? 
    Why don't you buy them used,
    or borrow them from the library?  
    Just like everyone else, I put my money where my priorities are. I cut my own hair, brew my own coffee, and wear ten-year-old shoes to work so I can buy lots of books, and travel to cool new places. I value books and writers, so I do what I can to support them, which means buying their merchandise and spreading the word about great books.

    Do you do anything other than read all day?
    Yes. But only because the laundry won't wash itself.

    What followed was an interesting discussion about the books we choose not to buy. We talked about this in class, and then I spent some time thinking about it since, so I thought it would be interesting to detail the last few books I didn't purchase. Here goes.

    Catching Fire & Mockingjay by Suzanne Collins
    Read in December 2011
    I was first introduced to these books in September 2010, when I read Katie Roiphe's Book Review of Mockingjay in my Sunday paper.
    I chose not to buy these books because my sister owned them on her Kindle, and lent them to me. She did this before I read The Hunger Games, so I had no idea how much I would love these books when I chose not to buy them. I figured I would buy The Hunger Games, but I didn't want to go for the entire trilogy in case I didn't love it. Then, after I read The Hunger Games I was too obsessed to stop reading long enough to run out and buy copies of the books for myself, so I just read them on my Kindle. Once I finished, I decided that I don't need to own the books until I decide to reread them, which may very well happen before the movie comes out in March. However, until then, I'm not going to buy them.

    American Gods by Neil Gaiman
    Read in October 2011
    I was first introduced to this book by a student at my college who participates in the NaNoWriMo write-ins I host every year.
    I chose not to buy this book because my student loaned me his copy to read. I really liked this book, and have since recommended it to many other people. However, after I finished reading my student's copy, I didn't feel I needed to buy a copy for my own library. I don't think my reading students would choose to read this book, so I wouldn't add it to my office library. I'm also not sure I'll reread this book any time soon, so I didn't feel the need to buy it for my home library.

    The Girl Who Fell From the Sky by Heidi W. Durrow
    Read in August 2011
    I was first introduced to this book by a member of The Badass Book Club.
    I chose not to buy this book because I really wasn't sure I was going to enjoy it, so I borrowed my mom's Kindle copy. It turned out that I liked the book and gave it 3 out of 5 stars on Goodreads. However, after reading it on loan I knew I wouldn't wish I had my own copy, so I didn't buy it. There have been times that I've read a book on loan first, and then bought it after I finished. (I did this with the first Sookie Stackhouse book, as well as with the entire Harry Potter series.)

    I didn't pass up the opportunity to buy these books because I didn't enjoy them, or that I don't want to support great writers. Quite the contrary. These were all good books. In fact, I love the Hunger Games trilogy, and I think American Gods is something of a masterpiece. It's just that sometimes, once I borrow a book and read the entire thing, I just don't feel the desire to own it. I've realized that typically, I will only buy a book after reading it if:

    It's the first in a series and I know I'll want to own the entire thing
    I think I'll want to reread it
    It's something I'll want to give to friends or students to borrow
    It is so beautiful I want to look at it, even if I won't reread it anytime soon

    But, why do I choose to borrow certain books and to buy others in the first place? This is the more difficult question. My best answer is:

    Sometimes, the book is so easy to borrow 
    I just don't need to go out and buy it for myself. 

    Sometimes, I'm reading the book for some reason other than a real desire to read it, 
    which often happens with Badass Book Club books. 

    And sometimes, I'm just feeling cheap, 
    and I don't want to spend my money on a new book.

    It seems that mood and accessibility have a lot of influence over my decision to purchase, or not. Beyond that, I do have some buying quirks of which I am fully aware, for which I will not apologize, and all of which I am willing to admit:

    I will not buy a giant hardcover book. 
    In fact, I avoid hardcovers whenever possible. I just plain prefer paperbacks.

    I will not buy a very heavy paperback. 
    If it's going to cut off the circulation in my forearms when I read in bed, I'm not buying it.

    I will not buy a book with pages so thin and fragile 
    they're likely to tear with regular use.

    I will not buy a book with an ugly cover. (To my eye, of course.)

    I will not buy a book with a cover that 
    gives me the heebie jeebies whenever I touch it.  
    This one is difficult to explain, but some covers feel like very soft rubber, 
    and they just give me the creeps. *shudder*

    I will not buy a book if I can't respect the author, for whatever reason.  
    I will, however, borrow the book, read it, and give it a fair review. If I'm unable to give it a fair review, I'll stay mum.

    I will not buy a book if it is priced significantly higher than comparable books.

    This one is totally weird, 
    but if the author's first name is a version of my named spelled differently, 
    and her name is written in huge letters on the cover, I won't buy it. 
    I can't stand seeing my name spelled wrong. It's Lori. L-O-R-I.
    I told you it was weird. 

    There you have it. I guess it all boils down to the fact that there is often no rhyme or reason behind my buying habits. Helpful, right? 

    What about you? What makes you pass on a book, especially one that you plan to read? Please tell me I'm not the only one with embarrassing quirks when it comes to book buying!

    Saturday, January 28, 2012

    Follow the Reader: Why I Bought These Books

    After writing this post on why readers buy books, I thought it would be fun to dissect my latest book purchases to figure out what, exactly, motivated me to shell out my hard-earned cash for each book I bought.

    The First Batch


    I bought most of these books at the start of my winter break, when I was dizzy with the heady mixture of Winter Break Dreams and a full month of freedom ahead of me.

    Here's the breakdown: 

    Purchased brand new from Barnes & Noble
    I was first introduced to this book when I read Ridley Pearson's review in my Sunday paper.
    I chose to buy this book because Pearson's stellar review and the general excitement about it on Goodreads intrigued me--Could it really be that good? If it was, I wanted to get in on the action. If not, there was a growing body of reviews against which I could compare my own take on the book. This story sounded so good--dystopian, with a badass female MC. An urban setting. I was really excited to read this one.

    Purchased brand new from Barnes & Noble
    I was first introduced to this book when I plucked it off the shelf in the bookstore.
    I chose to buy this book because I liked what I read on the back, it has a killer cover, and it's a series. I love finding a new series to love.

    Purchased brand new from Barnes & Noble
    I was first introduced to this book on Goodreads, and was reminded I wanted to read it when I saw it on the shelf at the bookstore.
    I chose to buy this book because I loved the first few pages that I read in the store. It seemed like the kind of world I'd want to dive into for a while, which is exactly what I was looking for for my winter break reads. Also, it's part of a series, and Clare is prolific, so if I enjoyed it as much as I thought I would, it opened up a whole new world of books to enjoy.

    Purchased brand new from Barnes & Noble
    I was first introduced to this book on Goodreads. 
    I chose to buy this book because after I found Ally Condie on Twitter and learned that she's a former high school English teacher, just like me. That made me think she must love books, and so I followed her tweets and saw that she interacts with her readers on Twitter. The story reminded me of The Giver, which is one of my all-time favorites, so I had to give it a try.

    Purchased brand new from Barnes & Noble
    I was first introduced to this book on a blog, though I have no idea which one. The blogger received an arc of this book, and I fell in love with the cover. 
    I chose to buy this book because of the cover. I'm not going to lie. It's beautiful and haunting at the same time. It turns out that the book is, too, so in this case it was actually a perfectly good reason to buy this book.

    Purchased brand new from Barnes & Noble
    I was first introduced to this book by a friend's 15-year-old daughter.
    I chose to buy this book because because my friend's daughter really liked it, and then I found Beth Revis on Twitter and learned that she has an awesome blog, and she is clearly a reader. I love reading books written by readers.

    Purchased brand new from Barnes & Noble
    I was first introduced to this book when I saw it in the bookstore.
    I chose to buy this book because because I love John Green, even though I haven't read any of his books. Yet. I own three of them. True story. I bought this title first because the back cover made me laugh out loud in the bookstore, which doesn't happen often. I first found John Green on YouTube when searching for NaNoWriMo videos, and well, that was the end of it. Once I realized that practically every reader I know loves his work, I knew I was going to buy anything and everything that man wrote.

    Purchased brand new from Barnes & Noble
    I was first introduced to this book when I pulled it from the shelf in the bookstore.
    I chose to buy this book because I liked what I read on the back cover, and the Leven Thumps character sounded familiar, so I was pretty sure some child in my life is a big fan. The back of the book promises a secret gateway to a whole new world, which reminded me of the Narnia books, which I love, love, love.

    Purchased brand new from Barnes & Noble
    I was first introduced to this book when a poster enthusiastically recommended the series on an Internet forum I frequent.
    I chose to buy this book because, based on the back cover alone, Beka Cooper sounds like a badass, and I love badassery.

    Purchased brand new from Barnes & Noble
    I was first introduced to this book when . . . I can't remember. I feel like there's been a lot of buzz around this book, so I was aware of it for a while.
    I chose to buy this book because I had a feeling it was going to be a perfect book to recommend for reluctant teen readers. And it is. I've since recommended it to so many people. Extra bonus: Jo Knowles is a great tweeter, so I followed her and she followed me back on Twitter! How cool is that?

    Looking for Alaska by John Green
    Purchased brand new from Barnes & Noble
    I was first introduced to this book after I saw John Green's NaNoWriMo video and then searched the Internet for more information about his work.
    I chose to buy this book because well, you've already read some of the story under the Will Grayson, Will Grayson entry. I also loved this book as soon as I learned that Alaska is a character. Great title.

    Purchased brand new from Barnes & Noble
    I was first introduced to this book when I pulled it from the shelf in the bookstore.
    I chose to buy this book because of this line on the back cover: "Most people aren't very comfortable in the woods, but the woods of Briery Swamp fit May Bird like a fuzzy mitten." Love that line.

    The Second Batch


    Purchased brand new from Sam's Club (Maybe--I could have purchased this at a local bookstore, but I can't remember.)
    I was first introduced to this book on the NaNoWriMo site, when I learned Morgenstern wrote the first draft for NaNo.
    I chose to buy this book because it sounds amazing. Have you read the blurbs about this book? I'm also a sucker for a NaNo success story.


    Purchased brand new from Costco
    I was first introduced to this book when I saw it on the shelf in a Barnes & Noble.
    I chose to buy this book because it's beautiful, and after thumbing through the pages just once in B&N, the photos haunted me. It really delivered, too. What a great book. I typically hate hardcovers, and I'll wait for the paperback, but sometimes I'll buy a hardcover because I simply lack patience.

    Purchased used from a local used bookstore.
    I was first introduced to this book . . . I've been reading Rick Steves for years. He's my favorite guide for first-time visits to new countries.
    I chose to buy this book because I always buy his books to help plan a trip, and my library didn't have a copy. This is a good example of author loyalty, that's for sure.

    Purchased brand new from Barnes & Noble
    I was first introduced to this book after reading the first book in the series.
    I chose to buy this book because I loved City of Bones

    Purchased brand new from Barnes & Noble
    I was first introduced to this book when I read about Melissa Marr on a website, somewhere, some year I can't remember. Sketchy, I know. But it was a while ago.
    I chose to buy this book because of this line on the back: "Faery intrigue, mortal love, and the clash of ancient rules and modern expectations swirl together in Melissa Marr's stunning twenty-first century faery tale." I love fairy tales, so that was that. Melissa Marr also makes great contributions to the reading world beyond writing her books. She has interesting interviews, shares interesting insights, and is just someone I want to read.

    Paper Towns by John Green
    Purchased brand new from Barnes & Noble
    I was first introduced to this book when I read about it in someone's Goodreads review of The Fault in Our Stars. The reviewer gave Fault four stars because Paper Towns is her favorite.
    I chose to buy this book because, well, you already know the ridiculousness behind my desire to own every book John Green writes. (I will read them, by the way. I just haven't gotten around to it yet.) I really want my Badass Book Club to read this book. I'd want them to read The Fault in Our Stars, but we have an unwritten rule against books that are about cancer, so it's out. Also, one of the booksellers I chat with at B&N told me that she loves this book so much she plans on naming her future daughter Margo Roth. That's impressive.

    Fearless by Francine Pascal
    Purchased brand new from Barnes & Noble
    I was first introduced to this book when Francine Pascal's name jumped out at me from the the book shelf. 
    I chose to buy this book because I might have been obsessed with one of Francine Pascal's series as a child, so when I saw that she's still writing I had to have this book. I didn't even read the back cover before I decided to purchase it. (Did you know that there was a Sweet Valley Twins board game? Oh, there was. And guess who had one? That's right, this girl. Be jealous.) I was actually in the bookstore to buy a California travel book, and before entering I told myself I wasn't even going to look at any other books. You can see how well that worked out. I bought three books on that trip.

    California 2012 by Fodor's
    Purchased brand new from Barnes & Noble
    I was first introduced to this book years ago. I love the Fodor's travel guides, and their forums are the best travel forums around, if you ask me.
    I chose to buy this book because I'm going to wine country with some girlfriends in March, and I know absolutely nothing about it, and as I said, I love the Fodor's guides. I didn't even have to skim through it to decide whether to buy it--it has that Fodor's logo on it, so it was as good as sold. My little sister will be in California for three more years, so I went for the big California book, instead of the smaller wine country book, because I plan to make a lot of trips there.

    So, there you have it. By my count, only four of these purchases were pre-meditated (Legend, Spain, California, and City of Ashes.) I chose to buy the other 16 books for a variety of reasons--they were purdy, witty, intriguing, or just plain unputdownable.Or written by people on which I have irrational writerly crushes.

    One interesting point: I was not motivated to buy any of these books because they were on sale. There has been a lot of talk of late about the value of books, and what readers are willing to pay for a book. For me, personally, I'm willing to pay anywhere between $10 and $25 for a book as long as I want to read it for some reason. I've always been willing to pay retail price for books, even way back when, when I was a poor college student. As I see it, it's about priorities. If people value books, they'll pay for them.

    We live in a world where people regularly spend upwards of $4 for a cup of coffee, and yet we're having discussions about whether $10 is too much to ask for an e-book?

    And I'm not alone. When I ask my students to find an independent reading novel, they have a lot of options for sourcing their books. They can take their books out of the library for free, or borrow them from my own library, or buy them from one of the many used bookstores in the Chicago area. But you know what most of them choose to do? They buy brand new books. They don't wait until they find a coupon, or the store runs a sale, they pay full retail price for them.

    What about you? What's the last book you bought, and why? Did you pay full price? I'd love to hear about your experiences.

    Follow the Reader: Why We Buy Books

     . . . and why we don't. 

    Some books I've bought in the last few weeks.
    I've long marveled at the fact that our towns and cities are practically littered with bookstores, yet our population seems to read fewer and fewer books with every passing year. (Or is it: With the launch of every new reality television series?)

    Of course, the answer is simple: There is a wide gap between the amount of books people buy, and the number of books people actually read.

    This is where it gets interesting, because the question becomes:

    Why do people buy books? 

    Of course, I have some thoughts about this one.
    1. Because they have to

      Let's face it: A lot of people buy books because they have to.

      I gritted my teeth and did the math in this post, where I figured that, as a teacher, I am personally responsible for the sale of 480 trade paperback books every single school year. I like to think that my students enjoy reading these books, but the bottom line is that they buy them because they have to buy them if they are to pass my classes.

      According to the National Center for Education Statistics, there were over 17 million students enrolled in undergraduate degree-granting institutions in 2009. That's a lot of book sales.

    2. Because they look good.

      Shocking but true: Many people buy books simply because they look impressive on the shelf. Did you know that there are companies dedicated to creating custom book collections for their clients? My guess is that the people who use such services don't actually ever read many of the books that populate their shelves.

      We live in an extremely acquisitive time and place, after all. People buy things just for the sheer pleasure of buying. Bookstores know this. They cater to a buying culture that relishes in the experience of the purchase--from that leisurely coffee in the store cafe, to the hour spent lounging in the big squashy chair on the sales floor, to membership cards tat make customers feel special, these stores know who their customers are and what they want.

    3. Because they love someone who loves books. (Or they just can't think of anything better to give as a gift.)

      I don't have any statistics to back this up, but I'm willing to bet that books rival gift cards and soap-on-a-rope for #1 on the most popular gift list.

    4. Because they love someone who writes books.

      There is an amazing, growing community of independent writers out there. I see them banding together and supporting each other through social media such as Twitter and blogs. These are passionate, supportive individuals who care about their fellow writers, and show their support by purchasing their books and posting reviews. They share insights into the trials and triumphs of the writing life. The talented and hilarious Kristen Lamb created the Twitter hashtag #MyWANA to help serve this purpose, and it has become a driving force responsible for creating a strong indie writing community on the 'net.

      As a reader, I'm excited to see this. For the first time, I can sneak a peak behind the curtain and learn about the people who are responsible for creating books, which happen to be my favorite things in the entire world. I love to see writers supporting other writers by buying their books.

    5. Because they love books.

      This is where it gets really interesting, because as dismal as it may sometimes seem, there is a large and enthusiastic reading culture out there. The popularity of sites such as Goodreads and Shelfari evidence this, not to mention the prevalence of giant bookstore chains and e-readers. (Did you know there are currently more than 6.9 million people on Goodreads, with over 240 million books on their shelves? This fact makes my reading specialist heart go pitter-patter.)

      But loving books is not enough. Readers don't just walk into a bookstore and buy the first book they see. As someone who is in the business of helping to create readers, I've spent a lot of time collecting information about reading habits, and thinking about what it is that motivates someone to actually purchase a book. Here's what I've discovered thus far:
    We trust our bookish friends.

    Readers will often buy a book sight-unseen if someone they trust specifically recommends it for them. 

    We trust the experts. 

    I spend my Sunday mornings with the New York Times Book Review, and I add books to my Goodreads To Read shelf as I go along. Similarly, I will buy books that my favorite experts in various fields recommend--financial gurus, television chefs, etc. If Gordon Ramsay puts his stamp of approval on a cookbook, I'll buy it.

    We judge books by their covers.

    I know where not supposed to judge a book by its cover, but we do. I know readers are amazing human beings, but we are still human, after all. 

    We buy books that feel good in our hands. 

    I love my Kindle, but I love my paper books even more. Some books just feel good in the hand. The paperbacks open easily, they aren't bound so stiffly that you have to break the spine to read the page. The covers have that satisfying, matte finish that is so easy to hold. They're just the right size to slip into a large purse, or a small bag.

    Some books feel like they were designed to be held. Know it or not, we are more likely to buy those books.

    We're loyal to our favorite writers. 

    There's a lot of author-worship that goes on amongst readers. If we've bowed at a particular writer's feet before, you can bet your bottom dollar that we'll line up for the privilege of buying her latest book. In fact, our loyalty is so blind that it will often trump a crappy cover, a mediocre blurb, or a terrible review.

    We love a great wordsmith. 

    I don't need to be familiar with a writer to appreciate his way with words. If your blurb or first few pages make me wish I had a pen to record a great line, that book is as good as sold.

    We feel something, and we want to feel more of it.

    We read to feel something, after all, and if you can make us do that after reading your Kindle sample, book jacket, or the first page, we'll crave more, and we'll buy the book. 
    Works every time.

    Now, I realize it may seem like we readers are an easy sell. Not so. 
    There are some things that immediately turn us off from buying a book. 
    Here's the inside scoop: 

    The promos make unlikely promises about the book.

    This is a trend I've noticed more and more with independently published books. A lot of books are compared to our Most Beloved Series of All Time, and authors to Our Most Beloved Authors of All Time. On its own, this won't turn off potential readers. However, when such promises are coupled with multiple reviews that set the record straight, or samples that don't inspire the same awe as the referenced beloved book or author, we move on.

    It's not that we expect every book to be the next Harry Potter, it's just that we have a lot of options out there, so we just don't have to deal with books that don't keep their promises. We have enough people in our lives that do that, already. Why add to the list?

    The authors are *out there*, but only to promote their own books.

    I love a writer who is also a reader. If a writer's blog has as many reviews of others' books as it has posts about her writing process, I feel I've found a kindred spirit. And I always want to read what my kindred spirits are writing. 

    On the other hand, if a writer uses social media to do nothing but promote her own books and reach out to other writers, not readers, then I'm not as interested. Fair or not, we favor people who are cut from the same cloth, and in this case, that means writers who participate in the larger reading culture.

    The authors don't mind their manners. 

    This one is about writers who go one step beyond my last point, and actually reject aspects of the reading culture. They don't realize they're doing this, of course, but it is one of the easiest ways for a writer to lose a potential reader. This includes: 

    - Writers who respond defensively to negative reviews of their work. Whether an author posts a comment directly on a negative review, or writes a cutting post about it on her blog, or speaks to it in an interview, it sends potential readers running in the opposite direction. I'm talking about writers who reject the negative review as being unreliable for whatever reason--the reviewer hasn't read enough books to know what she's talking about, the reviewer's claims are totally off-base, etc. Whatever it is, it's bad business. If a writer can't respect her readers, and accept a negative review and use it to inform her writing as she moves forward, I don't want any part of it.

    I understand that it's difficult to accept critical feedback, but I also know how powerful it can be if the subject of the feedback chooses to use it to her advantage. (I've been teaching for eight years. I don't want to do the math, but every single student I've ever had in class has filled out a feedback form on various aspects of my performance as a teacher. I've gotten a lot of reviews in my short time in the field, and the negative reviews are always the most powerful. In fact, they have transformed my teaching over time.)

    - Writers who publicly reject important aspects of the reading culture. I've read so many negative comments from authors about sites like Goodreads, and independent book review blogs. This is baffling. The people who choose to engage in these things are readers. They could be your readers! But they won't be, not if you reject their very participation in things that celebrate their reading habits. 

    I adore authors as much as I adore the books they write, and the people who read them. As we wade further into the unexplored waters of independent publishing, I would love to see more writers engage with the reading community as enthusiastically as they have been engaging with the writing community. Today's writers have unprecedented opportunities to get their work out into the world, and to interact with potential readers on a large scale. I look forward to seeing that happen. 

    So, what are you waiting for? Go buy some books! Go talk to your readers!

    I love to hear from readers and writers, alike. I know you have something to say, so please, post a comment and let it be heard.

    (Related: I detail why I bought 20 books over the last two months in this post.)

    Friday, January 20, 2012

    Authors! Have you Hugged a Teacher Today?

    Well, you should.
    Teachers are a great untapped resource for selling your books.

    In the interest of full disclosure: I am a teacher. And I love to read. Love, love, LOVE to read. But I promise you, I am not writing this post as a feeble attempt to get me some author love.

    Okay, now that THAT is out of the way . . .

    Do you know how many books my students purchase every single year?


    Let's do the math:
    In an average semester, I teach five English classes. An average class has 24 students in it. Students read an average of two books (of their choice) per semester in my class. I teach two semesters every school year. So . . .

    5 classes X 24 students X 2 books per student X 2 semesters = 480 books

    480 books!

    My students alone purchase 480 books off the bookshelves of our local bookstores every single school year.

    Let's do some more math. (By the way: Who knew I'd ever voluntarily do math?)
    This semester, my college is running 39 sections of reading courses. Last semester, we ran 41 sections of reading courses. Each course has an average of 20 students. Let's say these students read only one book per semester in these courses. We have two semesters in the school year.

    39 sections + 41 sections = 80 sections X 20 students X 1 book per student = 1,600 books

    1,600 books!

    Our developmental reading students purchase about 1,600 books per school year.

    But wait! There's more. 

    This fall, we ran 60 sections of English 101. This spring, we are running 40 sections of the course. The average English 101 course has 26 students in it. Let's say English 101 students read only one novel per semester.

     60 sections + 40 sections = 100 sections X 26 students X 1 book per student = 2,600 books

    2,600 books!

    So, 2,600 books for English 101 + 1,600 books for reading courses = 4,200 books total

     4,200 books!

    And that doesn't even include all the books students purchase for other English courses. (Of which, we are running an addition 76 sections just this semester, with an average of 26 students per section. Need I do anymore math? Please, I'm mathed out. :)
    So, it's safe to conclude that the instructors in my college alone are responsible for asking students to purchase at least 4,200 books every year. 

    This is something of which the textbook companies are well aware. If I told you just how many textbook reps visit my office every term, you probably wouldn't believe me. This is something that really surprised me when I first started teaching college full-time, because those textbook reps seemed like vultures circling above new prey, always popping their unfamiliar faces in my door, asking if I had a minute. But then, it makes sense, doesn't it? I teach about ten sections per year, and since I'm the person responsible for choosing the books we will read in class, books which my students are required to purchase, then those reps really want me to choose one of their books. They only have to convince one person that their book is worth reading, and then that translates into hundreds of sales off of just one point of contact.

    But I don't really need help finding quality textbooks. First of all, I wrote my own 90-page course packet for my reading courses, which I refuse to publish and instead have our bookstore copy and sells for a mere $5 each, because I believe that money would be better spent on REAL BOOKS, and not a textbook. (Not that textbooks aren't real books, calm down. You know what I'm saying.)
     
    So you know what I would love some help finding? 
    New, high-interest novels for my students to read.

    I started thinking about this just this past week when I asked all of my students to purchase independent reading novels for class. For many students, this will be the first time they go out and purchase a book of their own choice to read. Most of them admit that they have never been in a real bookstore before. (Other than our college bookstore, of course.) So, they're usually lost. They have little or no experience choosing books for themselves, and that is where I come in.

    I always show my students my own Goodreads page, which includes bookshelves titled "Recommended by and for students" and "Student book clubs", which include some of the books my students have recently chosen to read for class. (I admit, I'm not stellar at keeping those shelves updated.)

    I bring in a stack of books that I've read recently and think they might find interesting. 

    I encourage them to go to an actual bookstore and pluck interesting titles off the shelf so they can sit with them and read through the first several pages. I tell them to ask the booksellers for help. And you know what? They do it.

    And then, they often come to class with at least two brand new books because they couldn't choose just one. Because this is a little secret that reluctant readers don't often share with anyone: They want to read. They get the same thrill out of holding a brand new book of their own that we voracious readers get. And the best thing is that college students are so used to having to shell out $100 for a textbook they won't really read, that they are excited to spend $20 or $30 on a couple of books that actually look interesting to them.

    I do my best to read great new books, especially YA books that I think my students will love. (Let's face it, this isn't exactly a chore. I would do nothing but read and write if left to my own devices.) But here's the thing: I'm just one person. I teach full-time. I cannot read all of the great new books that are out there. (And this, my friends, is the most difficult truth to face: That I will never live long enough to read all of the books I want to read. But, I digress.)

    In an attempt to stay in the loop, I've joined Twitter and I follow hundreds of great writers. I read book blogs, and book reviews, and I cull through readers' shelves on Goodreads in search of titles they really love.

    But still, I miss out on so many great books. I know I do. And so do most teachers out there.

    And this is why I've been wondering:

    Why aren't authors targeting 
    teachers 
    with their promos and marketing?

    When I taught high school, every single one of my students read two independent novels every semester. In addition, we read three to four novels every semester as a class. I won't even begin to do the math here, but I'm guessing high school teachers are responsible for even more yearly book purchases than college teachers.

    And here's the kicker: High school teachers are even busier, and have even less time to find great books, than college professors. That's a fact. High school teachers are, in my opinion, some of the hardest working people out there.

    If I were an author . . .

    I would send one copy of my book to the English department at every local high school and community college. Or elementary school, or middle school, depending on my target audience, of course. I would include a brief, handwritten note with the book, complete with my blog/Twitter account/email/website, etc.

    I would do the same for reading specialists at the high schools. I cannot tell you how many people asked me for book recommendations when I worked as a high school reading specialist--students, parents, other teachers, administrators, etc.

    Because here's the thing: Teachers are some of the greatest champions of books and writers, especially teachers of English, composition, and reading. But you won't see many of us tweeting, or blogging regularly, or commenting on your websites, because we are just too darn busy. This is the great irony that plagued my own high school teaching career--that teaching students of reading and literature became the greatest obstacle to actually reading literature. I just didn't have the time.

    And so we teachers need you, authors, to reach out to us. We want to help you sell your books. We feel indebted to any writer who captures our students' attention, and when we find you, we will become your greatest champion.

    But we don't often have the time to seek you out. I see you spending your precious time reaching out to book bloggers and reviewers, and I wonder: What about the teachers? What about our students? Teachers spend their days (loooong, 8+ hour days) with tweens and young adults. We are desperate to find that book that will turn them from reluctant readers to voracious readers. We know you have the books, we know they've been written, but we are knee-deep in essays and parent phone calls and after-school meetings to seek them out.

    All it takes is one free book for an entire department, or an email with a link for a Kindle download. We would be thrilled to know that an author took the time to reach out to us, to acknowledge the work that we do with our students, to share a book that is just waiting to be discovered by our students.

    We are in the same business, after all, 
    of creating and inspiring readers.  

    Won't you team up with us? 
    Won't you help us get your books into our students' hands?
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